* * * WILD ORCHIDS (2009–11) is out of print; this site remains up for historical purposes. * * *
WILD ORCHIDS vol. 3: William Blake
Lee Ann Brown
John Clarke Voyaging
The Eyes of Glass: A Bio-Speculative Expectoration on Visionary Poetics
My William Blake
Alchymical Esoteric and Technological Blake Meditations #s 12 and 119
WILD ORCHIDS vol. 2: Hannah Weiner
Hannah Weiner and Our "Unknown Collaborators"
from The Life and Times of Annie Weiner
No One Asked You
Hannah Weiner's Clear-Sighted Journal
Coda to Hannah Weiner's The Book Of Revelations
from The Book Of Revelations
Radiant Elvis MRI
What She Read
Writing Between Distant Others
Interview for LINEbreak
Hannah Weiner & Charles Bernstein
Announcing WILD ORCHIDS vol. 1. New and affectionate writing on HERMAN MELVILLE.
from Missing Limb
Memories of the Holy Land
from Memoir of the Last Last Man
C.L.R. James's Moby-Dick: The Testimony of the Crew Who Did Not Survive
3 Transpositions of "A Utilitarian View of Monitor's Flight"
Courtney Pfahl, Joyelle McSweeney, Jennifer Scappettone
A Gentle Fold Forward for Forwarding
GAM as an Experiment in Gift Exchange
Metaphorology of the Castaway
Mark von Schlegell
WILD ORCHIDS is an annual journal of
affective/inspired forms in literary criticism. Our issues hope to
reencounter, write close to, and trace the unlit flows of our favorite
writers, in volumes centered around single authors.
WILD ORCHIDS is edited by Sean Reynolds and Robert Dewhurst,
graduate students in the Poetics Program at the State University of New
York at Buffalo. The journal receives funding from the English
Department, the David Gray Chair of Poetry and Letters (Steve McCaffery), the James H.
McNulty Chair in English and Research (Dennis Tedlock), the Poetics Program (Myung Mi Kim), the Graduate Poetics Group, the Graduate Student
Association, the English Graduate Student Association, and the Poetry Collection at the University at Buffalo.